What is movement for actors?
Training in movement is a vital component of the actor’s craft. The body is the vessel through which behavior is displayed, which is why developing the body as a tool for expression is an important part of an actor’s practice. An established practice in movement can allow for freedom in acting and endurance to sustain the demands of various roles and performances. It teaches specificity by offering tools for transformation and can open access to imagination and emotional life.
BEGINNING TRANSFORMATION.
When starting movement training, there may often be restriction, immobility, discomfort, and heightened self-awareness, which works in opposition to being present in the moment in performance. With dedicated time and practice, the work begins to release uncontrolled physical tension and open up the power, stamina, and presence of the body. It allows for the artist to work under the gaze of an audience, while staying fully in the moment of their own experience and in collaboration with other actors.
When the actor becomes aware of their habits and is supported with the necessary tools to move away from them, they are given the potential to transform. By making physical choices rooted in the imaginary circumstances or character, the actor can fully embody different modes of being.
Why is movement training important?
As actors, it is imperative that we seek specificity and truthfulness in the story that we’re telling. The expression of the body can support this truth or betray it.
What do you teach?
I teach Laban, Suzuki, and Viewpoints, all of which work to develop further presence, openness, specificity, body awareness, tools for transformation, and access to imaginative play.
My specialty is teaching a movement-based practice that merges the acting techniques of Meisner with the movement and psychoanalysis work of Laban.
How can I get involved?
Movement training for actors in the southeast has unfortunately become an afterthought, as it is a wide misconception that movement is only abstract, avant-garde, or will make an actor's performance “too big” for Film & Television.
My hope is to change the mentality around physical actor training. I often offer classes through Vernal & Sere Theatre, where I am a Co-Founder, Producing Partner, and the Head of Education. In order to fulfill our mission of making training accessible and affordable, classes are offered on a sliding scale.
I am also available as a guest instructor for educational workshops or classes at your institution or studio. I can teach in person or virtually.
